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They’re getting high praise for doing the bare minimum: i.e., casting people of color in a real capacity, as romantic leads, instead of just stunt-casting to silence critics.But consider the competitors for context: In 20 seasons, on which there have been just 19 men of color in 11 seasons. I don’t know,” says Sarah Shapiro, former , managed to feature a black Bachelor before its real-life inspiration.The women are just here (“here” meaning on the show, but maybe on this Earth) for love, and are more or less required (by producers) to spend their downtime in their temporary home and various hotel rooms thinking of and talking about nothing other than the Bachelor.On , by contrast, the contestants have real careers (though unlike in most romantic comedies, magazine editor is not one of them).It could be the preppy musician in a hip-hop reggae alt band — sure, that is someone’s dream — or the wounded, conservative, ex-Army turned romance novelist, or the hot black guy with an offbeat sense of humor and killer style. And even better, they won’t have to compete with one another to win that love.Instead, an abundance of suitors will rain down from the sky, just like the mythical events described in that Weather Girls song.
The franchise has demonstrated minimal interest in any sort of diversity; to quote host Chris Harrison, who was once asked about the possibility of a gay Bachelor: “If you’ve been making pizzas for 12 years …and someone comes and says, ‘Hey, you should make hamburgers.’ Why?I have a great business model, and I don’t know if hamburgers are going to sell.” And then there’s the sexism; for every whirlwind helicopter date that mimics what falling in love “feels like,” there’s a Juan Pablo Galavis slut-shaming Clare Crawley.Their quick getting-to-know-you conversation reveals that not a single woman has been able to land a boyfriend in their respective hometowns, even though they are attractive, successful, and adventurous.(“I think it’s reflective of dating in America,” Burnett offers in a moment of terrifying clarity.) Their lives don’t depend on finding a man, they say, but good lord would they like to settle down already.
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Last year, the excellent scripted series franchise. Every season, the moral dilemma that is gives me pause, and then I ask myself: “Do I want to watch Jo Jo Fletcher fall in love with Aaron Rodgers’s less-talented former quarterback brother, knowing the cost? So, how to indulge in the romantic fantasy offered up by .